That same year, screenwriter Nat Mauldin wrote a prequel, "Roger Rabbit Two: The Toon Platoon," that would have detailed Roger's early life in the 1940s, his first interactions with Jessica Rabbit, and his service in World War II. Abrams completed an outline for a sequel that was never greenlit into full production. In 1989, at the behest of Steven Spielberg, aspiring filmmaker and future "Star Wars" director J.J. Seaman revealed that Doom was intended to be the unseen hunter who killed Bambi's mother in the classic Disney film, "Bambi." In the finished version of the film, the line was cut - although it's worth wondering if the backstory still applies to Doom's character in the movie. In the 1986 draft of "Roger Rabbit" - then titled "Who Shot Roger Rabbit?" - screenwriters Jeffrey Price and Peter S. More observant viewers may also notice that Doom always avoids physically coming into contact with the Dip, despite the substance being harmless to human beings.Ĭertain details about Doom's past as a character were also discussed prior to filming. It makes him even more ominous, more scary, if he's just looking like that," said Lloyd in a Disney+ Q&A on Twitter. "I just felt a toon doesn't have to blink their eyes to remoisten their eyeballs. To cater to this, the animators placed Daffy Duck in the dueling pianos scene with Donald Duck, had Bugs Bunny appear in the skydiving scene with Mickey, and had Porky Pig appear with Tinkerbell in the movie's closing moments.įor example, whenever Doom's eyes are shown on screen, Christopher Lloyd deliberately avoided blinking, both as a way to unsettle viewers and because Doom - as a toon - wouldn't need to blink. requested that their characters receive the same amount of screen time as Disney's, or were placed alongside them in several key scenes. also requested several smaller concessions that Spielberg and his team were expected to fulfill in order to use the studio's characters in the movie. In addition to monetary fees, Warner Bros. into the fold, with the studio agreeing to allow their characters' appearance in the film for a flat rate of $5,000 per character ( via The Hollywood Reporter). As part of these negotiations, Spielberg was able to bring Warner Bros. While Disney Studios saw to the distribution of the film and guaranteed the filmmakers the rights to their characters, "Roger Rabbit" executive producer Steven Spielberg had to negotiate the rights of certain characters from other studios.
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